Tuesday 15 April 2014

Stereotyped Representation in Come Home Love (愛 · 回家)

Come Home Love is a modern sitcom series broadcasted in TVB since 2012. Its story background is mainly about the daily life of an ordinary family. In episode 489, a female stereotype image is strongly represented in the drama. Ma Yau (acted by Florence Kwok Siu-wan) is a working woman who is in a romantic relationship with Kau A-wik (acted by Kenny Wong Tak-ban). Since Kau went to Australia and has been stayed there for a long while, Ma loses her faith to him. She thought Kau breaks his promise that he will not come back and get married with her.

With this narrative, a clear underlying message is bought to the audience – no matter what kind of woman you are, your destiny should be ended in marriage. The portrayal of Ma’s feminine feature is obvious. Even as an independent woman, Ma still has her submissive side. When Kau comes back to Hong Kong, she actually shows a big sweet smile to him which signifies her expectation to her marriage. Her facial expression is completely like the image of “fortune woman” which is a popular term describing a woman happily falls in love. She is shaped as a kind of woman who has her own thought in pursuing love.

Moreover, the dominant ideology on binary opposition of gender is further put forward in some particular scenes. At the beginning of the drama, there is a scene presenting Ma’s friend who is an office lady has a lady’s talk with Ma. She expresses her perception of love. She explains to Ma that she just want to find a man who is caring and willing to get married with her. However, she finds it difficult to meet her perfect man. She ever doubts herself if she is not gentle and feminine enough. Women represented by the office lady in the drama expect themselves to play as soft and weak roles in the society in order to attract men.

Another scene is about Ma suddenly planned to find Kau in Australia. On one hand, she denies that she will stay there with Kau permanently. On the other hand, she is ready to give up her everything in Hong Kong, such as her current job, her family and friends so as to maintain her relationship. Again, the message of ‘a good job is no better than a good husband’ is delivered. It promotes love should occupy a significant part of women’s life. It can be seen that the social discourse of gender role greatly regulate women’s attitude and behaviour.

Besides, gender hierarchy is placed at home and in the workplace in Come Home Love. It can be observed that Ma is under social pressure from several male dominant roles like her brother Ma Fu, her nephew John Ma, and her fiancé Kau. When she decided to go to Australia to find Kau, her brother and nephew showed a strong reaction, objecting her idea to leave home which ultimately made her stay at the end. While Ma always stand by Kau, as Kau is also her boss in the café where she is working at. She helps Kau almost everything including handling daily correspondence of his business and even receiving delivery package of red wines at his home. Apparently, Ma is subordinate to both of her male authority i.e. her male relatives and Kau. The drama reflects that our society is dominated by males. They are more privileged than females in most of the circumstance and in different places.

(584 words)



Lo Ka Po (Student ID: 10487830/ 21239164) 

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