From her latest album
“Joey&Joey”, we can see the unprecedented authority of Joey Yung on her
music production. This hugely sold and highly acclaimed album is one of the
milestones in Joey’s career that she can finally get rid of her image as a
singing machine and that her music is not always ‘sleazy’. After this success,
what’s her next step?
The answer is a new song called 我要玩, the theme song of the new series of
Broadway’s TV commercial. After listening to the song, I find that it is quite
similar to Joey’s hit 13點 in “Joey&Joey”,
especially in its arrangement and music instruments used. (Maybe this song was
given up during the production of the album?) It was released at the end of
last year when Broadway’s new TV commercial started to be broadcasted.
Actually this is not the first time
that Joey’s songs are used as theme songs of TV commercials. In fact, TV
commercial can be seen as an important channel for promoting new songs. But the
case of 我要玩 is slightly different. First,
the subject of the song (playing) is closely related to Broadway’s promotional
slogan “玩.樂.生活”. It is even reasonable to think that
Broadway actually decided the subject. Second, the music video of the song was
shot in the newly opened park of Hong Kong Disneyland Toy Story Land, concerted
with gifts of Broadway featured by characters of Toy Story at that time. Third,
the song was plugged on media very soon after the broadcast of the commercial
while the songs in “Joey&Joey” should continue being plugged on radios - 山口百惠 was plugged at that time - and after 我要玩 was banned, 蜉蝣, another song recorded in
“Joey&Joey”, was plugged on radios. Actually it is an uncommon promotional
strategy of pop music in Hong Kong, where plugging new songs after finishing
the promotion of previous album is the tradition.
Based on these 3 findings, it seems
that Broadway has influence on the production and promotion of Joey’s music.
Actually it is not the first time of Broadway to have such influence. For
example, Broadway decided the content of 綠野仙踪, theme song of previous series of
Broadway TV commercial. (Watch 1:50 to 1:58 of the Youtube video below) But
compared with this No. 1 hit of several pop music charts, 我要玩 is more like a promotional tool for
Broadway only, which ends up being recorded in EEG’s collection album “年度熱愛2011”.
Here comes another question: why
Broadway has this kind of influence? It's about the plight that faces Hong Kong
music industry. Nowadays, the sales of physical albums have reached a
historical low. In 1988, only the sales of local gold records and platinum
records reached 3.97 million. But in 2010, the total sales of albums (including
foreign albums) are only 2.3 million, according to IFPI. Singers, and their
companies as well, can no longer solely rely on the sales of albums. Advertising
contracts has become their new major source of income. (See the table about Joey's income in 2011 from ihktv.com below) So,
advertising clients, especially long-term clients like Broadway which pay huge
money and provide thoughtful service (Broadway sent someone to hand Joey a new
iPhone 4 after her old one was broken) to their endorsers, are now very
important to singers. In Joey’s case, to grasp Broadway this important client, she
and her company need to do something as return. This includes making
compromises on her music production and promotion.
Many people say that the nature of
Hong Kong music industry has changed. Before, music is the product of the
industry. But now as singers cannot solely rely on the sales of albums, they cannot
just sing. They also need to participate in many performances not related to
music, including movies, functions, and of course advertisements, so that they
can be ‘consumed’ more comprehensively and maximize the profit. (It means more
sources of income). In other words, singers now become the product of the
industry and their companies now tend to fully utilize them to earn more money.
Perhaps the influence of Broadway on Joey is formed under this circumstance.
CHIK Mo Tai, Adrian (10418932)
A very critical review uncovering the commercialization of pop songs and its potential influence on music creativity. It’s doubtless that singing commercial has become a standard practice for many local singers, while advertisers are spending large sums of money on the production of musical ads. In the selected case, a super star like Joey Yung still can’t escape from the emerging trend and needs to conform to the strong market force.
ReplyDeleteAnother point drawing my attention is what you described as “the subject of the song is closely related to Broadway’s promotional slogan”. It would be great if you could cite some quotes from the lyrics to illustrate your arguments. Besides, what are the possible readings (both dominant and negotiated) offered for audiences? In particular, what are the values (perhaps quite standardized) can you derive from the song?