“Life
Without Principle” 《奪命金》is filmed by Jonnie To Ki-Fung. The movie is
named after his very first production which called “The Enigmatic Case”《碧水寒山奪命金》since he wanted to have a review over his
filming, directing live in the past 30 years and because the story of the
movies are sharing same content that, although its plot is in different time –
ancient and modern society, greedy is an inborn nature of human.In the movie,
Jonnie used four main characters, which acted by Lau Ching-Wan, Denise Ho,
Richie Ren and Myolie Wu, to link up the whole story. It seems that an ordinary
bank teller (Denise Ho), a small-time thug (Lau Ching-Wan) and a straight-arrow
Police inspector (Richie Ren) with his wife do not have any relationships, but
somehow they are linked by a financial company owner but also a loan shark- Chung
Yuen (Lo Hoi Pang).
A mainland businessman (Terence Yin) who Lung (Philip Keung) worked for suddenly pop-up in the middle of the movie, the director tried to indicate Hong Kong is changing at a fast speed which we cannot aware of. This scene is talking about the mainland businessman slapped at Panther (Lau Ching Wan) and shouted at him that buying bonds and shares is how people forecast the future, if you guess right, you are winner when you guess wrong you are not. It is because there is a rapid growth of economy in China; people tend to have a bet in the uprisingmarket but the bankruptcy of Lehman Brothers leads a great fall in the stock market. During that period, Hong Kong people suddenly lose all their money and kind of relying on the Chinese government to help.
In this circumstance, the gap between rich and poor are widening and getting more extreme. When some people participating in the stock market and getting rich through no matter “invest or venture”; what other local people can do is to gamble their life in the game or like the old man in the picture. What he was trying commit suicide and tell Richie in the film that he has been changing his job from plastic factory to garment factory and when those factory have all moved to mainland, he has been a security and doesn’t mind what he has to do, he accept it but what he want is just a place to stay. However, truths beyond his want.
The two scenes have made a strong statement
about the identity of Hong Kong people have been influencing by mainlanders. On the one hand, our identities may seem to be
grounded in the past
which is individual and collective memory, on the other hand,
identities are also about becoming who we want to be or
being who we think we should be
in
particular contexts.
In the stock market, Hong Kong people
are kind of rely on the mainland because U.S is in an economic downturn and
China is an uprising market, it seems Hong Kong cannot live without the PRC. On
the other hand, the old man has
shown how desperate the local, grass root people are when the price index is
keep rising. They
cannot afford a flat since they are getting older and older. Moreover, Myolie
Wu is a wife of a police inspector and having middle class life; however, the prices
of flats are terribly high and make them worry about their living standard
after her husband retired. Nevertheless, the man said he has been moved to Hong
Kong for around thirty years. This also echoing to why Johnnie To would like to
named this new movie following his first product- The Enigmatic Case- that he
wants to review his past thirty years and what Johnnie can observe and witness
the change of Hong Kong.
It is
undeniable that there are lots of chances in mainland but who can guarantee
anything? Last but not least, the translated name of the movie is “Life Without
Principle” strongly show that how worry Johnnie To is when thinking about the
value of Hong Kong. Director and producer Johnnie To said about the film: “This
is a turbulent world. In order to survive, people have no choice but play the
game. No matter how hard you try to follow the rules, sooner or later, a part
of you will be lost.” But we, Hong Kong
people, should have found our own value and try to preserve it in this hard
game, not just let ourselves fall into this black hole.
Reference:
INDIEWIRE STAFF. Johnnie To's "Life Without Principle" Added to Venice Film
Festival Slate. Indiewire, 9 Aug. 2011. Web 18
Apr. 2012 <http://www.indiewire.com/article/johnnie_tos_life_without_principle_added_to_venice_film_festival_slate#>
Man Ka Po Bobo (10486464)
A nicely written review based on a textual analysis of the film’s narrative, together with a brief semiotic analysis of the selected scenes and codes. Examples cited are valid and illustrative, and you are able to situate them in a larger social context.
ReplyDeleteRegarding the point on “identity of Hong Kong people”, more connection could be made between the concepts you quoted (i.e., identities as both roots and routes) and the scenes/characters mentioned. It reveals the dynamic nature of identity construction, which is extremely sensitive to historic contingencies and pragmatic economic/political strategies.