The
Viral Factor《逆戰》is
produced and directed by Director Dante Lam Chiu-Yin in 2008. The plot development is similar to
his previous works, the major characters, Nicholas Tse (謝霆鋒)
and Jay Chou (周杰倫) got involved in some matters that might
harm lots of innocence civilian, thus a hero has the ability to stop the behavior of villains. The firm was
full of shooting and fighting scenes, which not only define an intense action
thriller genre, but also identify the shooting style of Dante Lam.
In the previous works of Dante Lam, the
boundary of “good” and “bad” is very distinct. He intended to make the audience
feel uneasy and heartless about “bad people” motives through dealing with
matters by using weapon or violence and visual menace with a scarred face. However,
in The Viral Factor, Nicolas Tse was cast
as the villain, but also acted as a character to reconstruct characteristics of evil character. The overlapping human qualities shared a
new meaning that audience associated with the change in cultural perception.
For example, a medical specialist Rachel (Lin Peng) forced into the
schemes of a criminal organization, Jon Man is a police officer (Jay Chou)
attempts rescue and become the target of the organization that includes his
estranged brother Man Yang (Nicholas Tse). When the organization betrays Yang
and kidnaps his lovely daughter, he cooperates with his younger brother in
rescuing his daughter, the medical specialist, and also stopping the criminal
organization’s diabolical plans. In this case, you may observe that Dante Lam
tends to explore the shifting boundaries on good and bad through the narrative
of the characters. It performs multiple human qualities of the character and
made each of them real and somewhat relatable. It demonstrates a new meaning
and narrative to the audience that this character is not a heartless thriller.
The Viral Factor changed
stereotyped perception and attitudes of audience with “bad guy” within media
and cultural industries. Audiences no longer base on appearances and physical behaviors
to determine the characteristics of character through the narrative of
overlapping human qualities by Dante Lam. The change not only creates a new
meaning for audiences to redefine evil character in the film, but also changes the
collective meaning of “bad guy” – To end a lot of innocent lives when they got
involved in a troublesome matter or problem.
Finally, I would like to share my experience after viewing the film. Family
estrangement is the primary theme of The Viral
Factor. It made me got deeply involved in the moment-to-moment experience
of their conflict. Besides, most of the actors mentioned that villains are
usually portrayed as being far more intelligent and interesting than the heroes,
but the film proved that both characters are likewise more intriguing for
audiences.
References:
Hunter,R.
(2012). The viral factor 2012. Retrieved from
http://movieartbox.com/film/The-Viral-Factor/442209/
Jr
Heath, G. (2012, 9 18). A forward-moving, postmodern action extravaganza slows
itself down for a marquee moment of pure cinema. Retrieved from
http://www.fandor.com/blog/scenes-beast-stalker?utm_medium=spotlight_articles&utm_source=fandor
Marcello,
J. (2012). The viral factor movie review. Retrieved from
http://www.moviexclusive.com/detail.php?c=118&desc=V&p=1571&t=the-viral-factor-dvd-2012_1571
Li Po Yan, Cathy (10522386/21048983)
Your work displays detailed examination of different aspects of the selected film, with a brief study on the director’s previous work in uncovering his established styles and techniques. In particular, the point on the shifting/blurring boundaries between the traditionally established oppositions is nicely presented (i.e., authorities could also break the law while criminals could be sympathetic).
ReplyDeleteFor further analysis, you might relate these cultural connotations to the local consumption context and discuss the possible reasons for such a change. I guess the production context of the film could help provide some important institutional as well as socio-historical information for analysis.