Film Review: All About Love (2010)

All About Love (2010) as a cultural text represented how we imagine women, men and lesbian. Basically, people usually stereotype women as passive and submissive. They are represented as feminine with weak personality, less sexually experienced, dependent and irrational. In contrast, Men are usually stereotyped as masculine with strong personality, sexually experienced, independent and rational. Cranny-Francis, Stavropoulos and Kirkby stated that this kind of stereotyping is in a binary opposition, which means they are mutually exclusive to each other. Women and men are positioned as oppositional in nature. Men are generally categorized as positive and become the standard whereas women are categorized as negative (p.1-40) However, All About Love seems subvert this stereotyping of both woman and man images.

In All About Love, woman can have strong personality. For example, Macy is very clever and good at dealing problems. She has professional knowledge in law so that she can solve the problem for her gay friend. Macy had a fake but legal marriage with her friend Antonio so that he can become the permanent resident and lived in Hong Kong with his partner. Moreover, she even helped Robert to deal with his sex life difficulties. However, Robert is represented as a relatively weak personality. Although Robert was an investment bank owner, he had relatively weak personality. The film did not put much effort on describing his career but focus on his attention to his love affairs. He has family problems but he doesn’t know how to deal with it. Instead he used violence to solve the problem and that make his wife to charge him. Macy, as his lawyer, did not just provide professional opinions about the case but also gave suggestions to solve his marriage problem. She shared her sex experiences with Robert and taught him how to fulfill his wife’s sex life. Finally, Robert fulfilled his wife in sex and retained his marriage. Here, we can see that Macy has more strong personality than Robert as she is more capable to deal with the problems than Robert.

Moreover, woman can be more sexually experienced than man. In the film, Anita had more dating experiences and even more sex experience than Mike. In contrast, Mike was less-experienced. He had his first sex with Anita and was felt ashamed of being early premature ejaculation during the sexual intercourse.

In addition, women showed in the film were independent while men were dependent. In the film, Anita was a middle class woman who was well educated. She worked in the bank. She was capable to support herself financially and was independent woman. In contrast, Mike was more dependent as he is just a university student. He probably still dependent on his family although he has part-time job. He did not have a stable job as always changes his job. For examples, at first he was the bar tanker. Then he worked in a supermarket and a food express shop.

Women can be rational while men can be irrational. When Anita and Macy know they are pregnant, they seek for help in Mother’s choice and consult the opinions. They decide to keep their babies and make rational decisions through discussing with each other and friends. However, Robert and Mike are superstitious. For examples, when Anita rejects Mike’s love, Mike took out his tarot card to make prediction that he may have competitors. Also, after Robert and Mike were rejected by Anita and Macy about being the babies’ father, they were depressed and finally made the decision based on the tarot card result.

To a certain extent, All About Love, as a Lesbian or bisexual text, stereotype lesbians and bisexuals in terms of their social status and appearances. The film stereotyped lesbians and bisexuals as middle class. Both Macy and Anita lived in Central. They had dinner in high class restaurant. They focus on lifestyle and taste. For example, they put paintings and decoration at home. They liked wine and enjoyed western style dinner at home.

Lesbians are also represented as well educated. Macy was a lawyer. She set up her own law firm. Anita is a bank staff. Wai Wai is a doctor and Connie is also a professional. She got grade 8 in piano and obtained four master degrees.

In terms of appearances of the characters, lesbian couples are always represented one as a masculine role and one as feminine role. For example, Macy is relatively a more masculine female character than Anita. She got short haircut and less make up. She always wore formal suit in black and white color tone which gave coolness to the audience. She spoke in low frequency voice which represented her masculinity. In contrast, Anita was more feminine. She always wore sharp color long dress or blouses. She got long and curly hair, put on makeup and accessories. She spoke in relatively high pitch voice which gave femininity image to audiences. Therefore, the film stereotyped lesbians in terms of their social status and appearances.

In conclusion, All About Love subverts the stereotyping of women and men images whereas failed to subvert the stereotyping image of Lesbians and bisexuals.

Reference
Cranny-Francis, A., Waring, W., Stavropoulos, P. & Kirkby, J.(2003). “Ways of Talking”. In Gender Studies: Terms and Debates, p1-41. New York: Palgrave Macmillan

Shu Jui Ying, Amy

Enlightenment and Inheritance: A lesson from 'The Grandmaster' (2013)

‘San Jiang Shui: I like those eyes of yours. They remind me of my
 mom’s.
 The Razor: Want both? Or just one?
 San Jiang Shui: Not so fast.
 The Razor: How about, you do the honors?
 San Jiang Shui: Forget it. You’re a real man. It’s the anniversary of
 my mom’s death. I’ll leave you those two lamps of yours.’

-- Dialogue between The Razor and San Jiang Shui at White Rose Salon in The Grandmaster

Introduction:

In The Grandmaster, seeking is associated with lighting as a motif to explore idea of enlightenment and inheritance. Protagonists are presented as a group of searching ways to insist on living with Kungfu in ambivalence even if their gurus and the thoughts are no longer able to guide them, instead of invincible heroes and heroines (cliché about heroism). The experience is like light of a lamp: if life gives oil lamps an end, make kerosene and electricity working.

A Journey of Grandmaster

            Chang Wing-shing, the wife of Ip Man, lights a lamp when he goes out, but it will be switched off by Ip when he comes home. The plot later on echoes this sense, as Ip finds conventional idea from Chang¹, although helps him much in Foshan, cannot be applicable in his rootless and challenging life in Hong Kong anymore, especially after death of Chang².

In the days of Foshan, he meets Uncle Deng³, who, as a beacon, gathers Sister San (familiar with Bagua), Mr. Accountant (Xingyi expert) and Brother Yong (familiar with several styles of martial art) in his brothel to show Ip a realm of martial art - the key of different martial art styles - through exercises before his fight with Master Gong.

            Later, Uncle Deng has been found dead because of bombardment, and the brothel Ip has used to stay is occupied by Japanese soldiers. The passed away of Uncle Deng and brothel connotes the light fades – Ip has to leave the comfort zone and earn a living by teaching Wingchun in ambivalence which has been learned.

            Meeting Ding Lianshan in Hong Kong, who studying in same Kungfu stream as Master Gong, Ip learns Ding wants to remind him being humble despite idea of Ip regarding passing the torch is ahead of the time⁴, and why Gong family declines. Ip shows his understanding by accepting invitation from Ding of lighting cigarette, which connotes the torch is passed, although they have a different way in teaching martial art (Ip for his belief in Kungfu: ‘all styles are on the same quest’; Ding for reputation of his stream).

            Despite of choosing different ways from members of Gong family and Ding, Ip Man shows the key to inheritance: exploring what you have been enlightened by others. The key also indicates what Ma San and Gong Er have missed, as they keep on advancing on their ways⁵, of advice from Master Gong: being deferential - respecting others and avoid being arrogant.

            Taking a different path from Ip, Gong Er intends to restore reputation of Gong family as Ma San, a student of Gong family, causes the death of Master Gong. When she shows her determination by vowing to keep her identity as a member of the family, Gong Er asks for guidance of her father in the name of Buddha⁶ with checking whether an oil lamp is lighting. The sense also suggests she chooses devoting to traditional values which have been inherited.

            Reunioning with Gong Er again after meeting Ding, Ip practices what he has known, from belief of Master Gong, about mastery which has three stages: Being, Knowing and Guiding. Mastering a skill is not only being an expert, also passing on what you have known, i.e. guiding younger generations. A returning of your knowledge. Thus, even a person passes away, wisdom will light forever in Samsara⁷.

Conclusion: A Thousand Heroes with One Face

            In The Grandmaster, inheritance is placed amidst confrontation of new and old, ideal and reality. The struggle, though inevitable, can make a person as hero(ine) if s/he can insist on the journey of mastery. As Campbell says in The Hero in a Thousand Face: ‘A hero ventures forth from the world of common day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: the hero comes back from this mysterious adventure with the power to bestow boons on his fellow man,’ (30), and Ip Man in The Grandmaster: ‘The martial arts belong to all. We’re all on the same quest. It all comes down to those two words: rise, and fall.’

Endnotes:

¹ Chang Wing-shing tells Ip Man: ‘A man should do things he can handle after 40.’ [DVD timecode: 00:16:07 – 00:16:10]

² Narration of Ip: ‘From now on, I can only take my step forward without glancing back.’ [DVD timecode: 02:00:59 – 02:01:03]

³ His surname literally means ‘light’ in Chinese.

⁴ The idea, which Kungfu should not be limited in China if it works, is presented by Ip in the battle against Master Gong [DVD timecode: 00:35:20 – 00:35:46].

⁵ Ma San: ‘Master Gong had taught me that better to advance than to stop.’ [DVD timecode: 01:08:46 – 01:08:57]

⁶ Ma San calls himself ‘the Guardian of Buddha’ when encountering challengers against Master Gong at Golden Brothel [DVD timecode: 00:14:27 – 00:14:42].

⁷Samsara: a Buddhism concept: Mind would not fade. It leaves when a body is decayed, and will revive in another body to continue the birth-living-rebirth cycle. Hence, Mind can be polished and long-lasting.

References

Campbell, Joseph. The Hero with a Thousand Faces. Novato,
            California: New World Library, 2008. Print.

The Grandmaster. Dir. Wong Kar-wai. Perf. Tony Leung Chiu-
            wai, Ziyi Zhang, Chen Chang, Benshan Zhao. Mei Ah
            Entertainment, 2013. DVD.

Appendix: English translation and Chinese name of characters, places and styles of Martial Art (Kungfu)

1. Characters:

‘The Razor’ Yi Xian-tian 一線天
Brother Yong 勇哥
Chang Wing-shing 張永成
Ding Lian-shan 丁連山
Gong Er 宮二
Gong Yu-tian (Master Gong) 宮羽田
Ip Man 葉問
Ma San 馬三
San Jiang Shui 三江水
Sister San 三姐
Uncle Deng 燈叔

2. Places:

Foshan 佛山
Hong Kong 香港

3. Styles:

Bagua 八卦
Wingchun 詠春
Xingyi 形意

(HUNG, Ka Yan, Grammy [id: 10453305])

Album Review: Easy

“Easy”, the fifth album of RubberBand, was released in August 2012. Started from their third album, “Connected”, each album of RubberBand had a main theme. “Connected” is about the connection or relationship between different people. ”Dedicated to…” is praising the song that inspiring them. This album “Easy” is decided to talk about the society. They first point out some problems that people in Hong Kong are facing, then the people who helped the society at last they encourage the Hong Kong people to get over those challenges with a positive attitude. This idea is shown in every details of the album, from the cover to the leaflet inside and the song.

From the cover, you can see the old area of Hong Kong is flooding, many animals trapped by the water, and four people tried to save them. The flooding represented the problem that human cannot solve by themselves, and it is the problem formed by humans, global warming. The technology advancement of humans is benefit to themselves but it is destroying the innocence, such as the old Hong Kong building and different kinds of animals. Although the city is in danger, people can still focus on what they do, work together and save the animals, as remedy. The leaflet inside not only shows the lyrics, it also gives the main idea or the background of each song.

RubberBand tried to care the society through music. From the album, you can hear various social issue that bothering Hong Kong people.  “睜開眼” as the first song of the album, suggesting people should care the things surrounding us, it had mentioned several social problem, such as Sub-divided units, disparity of wealth, demolition of old valuable urban areas.

斷了的山脊線 鍍了金摩天背面

舊老區給拆建 自在遊客買下千噸客船

誰在劏開房中幾晚吃不夠吧 誰在 K房通宵倒了幾多菜渣

The song urged people to open their eyes and ears to aware the problem, do not try to escape or adopt the ostrich policy, closing their eyes and hide in a bush or hole in the ground when facing danger.

沒意識 學會了 矇住兩眼 迷信煙花未散

沒記憶 學會了 矇住耳朵 派對裡任意高歌

Besides, it showed some values that Hong Kong people preserved, such as searching for justice and continuing the Memorials for the Tiananmen Square protests of 1989.

尚懂得公正 尚靠每雙手拼命

做假的不買帳 尚在夏季那夜燭光照樣

The first song gave a general picture to the audiences and urge them to look at the social issues happened in Hong Kong. Then they talk about the issue specifically. “豬籠墟事變” and “快樂鐳射舖” are about the local shop was fading out because of the boosting economy, the raise of developer hegemony and the dramatic rise of rents. They use 「吞噬著城市」to describe the economic activities was killing the local store and changing them into standardized chain store. “生於1月17” is about the life of grassroots family. The parents worked very hard but they can only afford a subdivided unit. Besides, the low income of the family hindering their children to change the situation, the family cannot afford a computer for them to learn and the children are expected to be the white-collar workers to change the situation rather than chasing for their dreams. “進化論” is talking about the evolution of human, the technological advancement truly benefit human’s life but it gave irreversible damage to the environment. The advancement also make people become lazier, they are actually degenerate rather than evolve further.

Apart from showing the social issue, the album also praising the people who contribute the society. “無名英雄進行曲” is praising the one who quietly contributed the society and everyone is able to be this nameless hero when he/she helps the others without requesting rewards. “M.A.M.A.” is about the contribution from mother. She always support us although we treated her badly.

RubberBand pointed out many harsh things that Hong Kong people are facing, they are then suggest how we should face them with the song “Easy” and “倒行詩”. From the song “Easy”, as the song shared the same name with the album, this song firstly point out many little things that fury people in daily life and then suggested each “curse” may be a hidden blessing. The song spreading the message that although there are many harsh things happened in the society, the audiences can twist their attitudes toward those things. They can either grumble at the situation or take it easy to face it. “倒行詩” is to remind people to treasure what we have now and enjoy it.

RubberBand is very close to the society. Their care to the society was not only shown in their music but also their promotion. They promoted this album by having a live music video shooting of all songs in different places in Hong Kong. The collection of the live music video called Easy session and put on YouTube  From the videos, you can see the place they sang, such as wet market, printing factory, CD store, roof on the old district, countryside, and kindergarten. The places chosen suited the song and the live band show showing their flexibility in handling different kinds of music. There is the reason why RubberBand is my favorite local band.

Done by O Chin Pang, Enzo (10459073)

Online review: Vulgaria (低俗喜劇) 2012

In the genre studies, “system of codes, conventions, and visual styles which enables an audience to determine rapidly and with some complexity the kind of narrative they are viewing” (Graeme Turner, 1999, p.97)

A genre film, can be selected in to some categories, they are iconography, settings, characters, themes and narrative. Using these categories, can explain why the Hong Kong film “Vulgaria” was success to gain many film awards.

Vulgaria, traditional Chinese in Hong Kong (低俗喜劇) is a 2012 Hong Kong comedy film. The iconography in the film “Vulgaria” are young girl model, sexy body, and mature man. Setting is city, force on Hong Kong society. Characters are filmmaker, director, film’s invertors, and sexy girl. Themes is funny, and many local cultures (Hong Kong) in the film, made of all Hong Kong people to watch. And last, the narrative unsuccessful filmmaker and a broken marriage let him fell stressful in the life, he still work hard because of his daughter, he want to show his successful to her daughter and prove to his ex-wife he can be a successful filmmaker, in the “Vulgaria” also showed out the “dark side” of the entertainment industry in Hong Kong.

Many audiences and critics agree “Vulgaria” can represent the folk culture in Hong Kong. According to the Hong Kong Apple Daily, “sometimes the foul language can boost morale and give vent to their depressed. “Pulp Comedy" is finally an exhaust port of the people of Hong Kong under high pressure”. In the film, we can deliberately retain the authentic characteristics of Hong Kong to show more the popular charm Cantonese little sex and more interesting. 

This is the point why the film “Vulgaria” can be successful, in the film industry, many filmmakers are afraid about the box office and the profit of the film. Therefore, they will choose the most popular genre to write a script, also they think the film is representing Hong Kong, so they will rhetoric the script and film the story more beautiful, not one would like to add too much folk culture in the movie. Especially in the “Vulgaria”, most of the sentences are having foul language and sex joke, this is so truly in Hong Kong people, and audiences like this film because of the true feeling, not too much rhetoric not need to think too much during they are watching the “Vulgaria”.

In sum, the “Vulgaria” is really vulgar, but audiences love the “vulgar culture” in Hong Kong, audiences are relaxed while they are watching “Vulgaria”. This is the first film in Hong Kong which represented the “Hong Kong vulgar culture” well, not just selling sex. No matter people like this film or not, they also agree this film can represent the Hong Kong folk culture. Therefore, “Vulgaria” can be success and gain many different types of film award. 

Vanessa, Chan Lai Ha (21047708)

Online Review - Reality Check

‘Reality Check’ is a TV drama produced by TVB that was aired in February to March 2013. The story revolves around TV producer Summer Ha and his family’s issues and conflicts. This review will focus on the first three episodes of the drama, which are about the filming of a reality show by Summer that captures the rural life experience of a Hong Kong teenager. In these three episodes, it demonstrates the stereotyped representation of Post-90s, or also referred to as ‘Hong Kong kids’, in Hong Kong. Post-90s is commonly stereotyped as lazy, ignorant, selfish and heavily relies on technology.

In ‘Reality Check’, the teenager Sky is portrayed as a spoiled kid who is addicted to video games, impolite, ungrateful, and always feels annoyed by his father’s presence. For example, he blocks the way of a villager that he dislikes, causing the villager’s animal feed to fall into the river and runs away recklessly afterwards. In addition, he could not stand the rural life so he steals instant noodle from the crew and borrows a smartphone to play games. It can be seen that he is shown as a Hong Kong kid that could not live without urban products. According to Lippmann’s ideas regarding stereotype, it is a short cut that allows simple representation which is easily understood, while also able to summarize many complicated information and implication (Dyers 2000, p. 246). When referring to Post-90s or Hong Kong kids, it is easy for most people to quickly relate to teenagers that have poor attitudes and lifestyle. Besides, it implies this generation’s relationship to older generations and their status in the society. In the drama, the crew members have said a number of times that Hong Kong kids are spoiled and have not lived the bitter side of life. They automatically put Hong Kong kids and the alleged characteristics in an equal relation. Also, when they speak of Hong Kong kids, it implies the older generations despise people of this age group and how Post-90s has a lower status in the society.

Another idea by Lippmann is ‘the expression of values’ which suggests that stereotypes invoke a consensus that there is a general agreement regarding a social group (Dyers 2000, p. 247). Additionally, people gain ideas about particular social groups from stereotypes, and this idea and consensus are mostly apparent rather than representing the reality (Dyers 2000, p. 247). In some scenes of ‘Reality Check’, the crew members, who are Post-60s to Post-80s, gather to watch footages of Sky. They all express Hong Kong kids’ behaviours are improper. This shows that there is a consensus among the older generations that Post-90s is the least nurtured social group. However, the crew members’ impression is shaped by their general idea regarding the age group and they have not looked into what kind of person Sky really is and what invokes his behaviours in the beginning of the drama.

In conclusion, these episodes of ‘Reality Check’ demonstrate teenagers with negative attributes that are stereotyped as Post-90s or Hong Kong kids. It also shows the tension between different age groups, as Summer and Sky have different values because of growing up in different eras. The media representation of Post-90s is generally in line with the common views within the society but it might give a false impression to viewers that the stereotype in question is true.

References

Dyers, R 2000, ‘The role of stereotypes’, in P Marris & S Thornham (eds), Media studies: a reader, New York University Press, New York, pp. 245-251.

TVB 2013, Reality Check, TVB, accessed 6 April 2013, http://programme.tvb.com/drama/realitycheck/.

 

By: Cheung Man Kit, Stephanie (10520440 / 21048929)

Review: 'Come Home Love’ (愛回家)

Stereotype of annoying mother of boyfriend/ mother-in-law

‘Come Home Love’(愛回家) is a drama by TVB. Wan Suk Han (acted by Ma Hoi Lun) is mother of Leung Yin Fun (acted by Ng Ka Lok), and Ma Yau (acted by Kwok Siu Wan) is Leung Yin Fun’s girlfriend. In the story, Wan Suk Han works in the same restaurant with Ma Yau. Before Wan know Ma’s relationship with her son, Wan and Ma had arguments on restaurant issues. Since then, Wan’s annoying characters were revealed especially in front of Ma.

First, she forces her son to choose between Ma and her. In the drama, Wan used to ask Leung who he will save if Ma and she fall into the sea. On the other hand, she always compares between Ma and her. For example, Wan was jealous and complained to her son as he bought a handbag to Ma. These behaviours show her jealousy and dislike to Ma.

Second, she always suspects Ma is not a good person and will harm Leung and her. For example, when Ma tried to show sincerity to Wan by making her coffee, Wan immediately popped up in mind that Ma was trying to poison her. Also, she believes Ma is faking so she always tells Leung not to trust Ma.

Third, she treats Ma as a competitor, which she always wants to show she is more capable to run the restaurant at all costs. In one of the episodes, Wan went to Taiwan deliberately for buying a coffee machine as she simply believed that coffee machine could help her to gain trust from employer and beat Ma.

The behaviours mentioned above reflect a negative relationship between mother-in-law distrusts and daughter-in-law. A mother-in-law can try all possible ways to break the relationship between the couple, at the same time to make her son fall into dilemma though.

Relationship between mother-in-law and daughter-in-law is an important issue in each family as it may relate to everyone. Therefore, this is an interesting theme for broadcasting company to produce drama. The typical way to show this distrust relationship is to create an irrational, highhanded, and annoying mother-in-law who only believes the daughter-in-law fakes and lies to her son. However, this representation of ‘mother-in-law’s ’jealousy and annoyance is stereotyping them.  

In reality, not all mother-in-law are like Wan, but as ‘annoying mother-in-law’ can make the drama more sensational and gain more public attention. TVB is willing to exaggerating the irrational behaviours and keep stereotyping. For example in 2008, Wars of In-Laws (我的野蠻奶奶) has more emphasis and stereotypes about mother-in-law, but it still gained very high popularity in Hong Kong which reflect audiences had sympathy and find the ideas in the drama interesting. Therefore, stereotyping will still be an element in TV drama in future.

 

Leung Wing Lum, Amy (10517445/ 21047996)

The Viral Factor

The Viral Factor《逆戰》is produced and directed by Director Dante Lam Chiu-Yin  in 2008. The plot development is similar to his previous works, the major characters, Nicholas Tse (謝霆鋒) and Jay Chou (周杰倫) got involved in some matters that might harm lots of innocence civilian, thus a hero has the ability to stop the behavior of villains. The firm was full of shooting and fighting scenes, which not only define an intense action thriller genre, but also identify the shooting style of Dante Lam.

In the previous works of Dante Lam, the boundary of “good” and “bad” is very distinct. He intended to make the audience feel uneasy and heartless about “bad people” motives through dealing with matters by using weapon or violence and visual menace with a scarred face. However, in The Viral Factor, Nicolas Tse was cast as the villain, but also acted as a character to reconstruct characteristics of evil character. The overlapping human qualities shared a new meaning that audience associated with the change in cultural perception. 

For example, a medical specialist Rachel (Lin Peng) forced into the schemes of a criminal organization, Jon Man is a police officer (Jay Chou) attempts rescue and become the target of the organization that includes his estranged brother Man Yang (Nicholas Tse). When the organization betrays Yang and kidnaps his lovely daughter, he cooperates with his younger brother in rescuing his daughter, the medical specialist, and also stopping the criminal organization’s diabolical plans. In this case, you may observe that Dante Lam tends to explore the shifting boundaries on good and bad through the narrative of the characters. It performs multiple human qualities of the character and made each of them real and somewhat relatable. It demonstrates a new meaning and narrative to the audience that this character is not a heartless thriller.

The Viral Factor changed stereotyped perception and attitudes of audience with “bad guy” within media and cultural industries. Audiences no longer base on appearances and physical behaviors to determine the characteristics of character through the narrative of overlapping human qualities by Dante Lam. The change not only creates a new meaning for audiences to redefine evil character in the film, but also changes the collective meaning of “bad guy” – To end a lot of innocent lives when they got involved in a troublesome matter or problem.

Finally, I would like to share my experience after viewing the film. Family estrangement is the primary theme of The Viral Factor. It made me got deeply involved in the moment-to-moment experience of their conflict. Besides, most of the actors mentioned that villains are usually portrayed as being far more intelligent and interesting than the heroes, but the film proved that both characters are likewise more intriguing for audiences.

References:

Hunter,R. (2012). The viral factor 2012. Retrieved from http://movieartbox.com/film/The-Viral-Factor/442209/

Jr Heath, G. (2012, 9 18). A forward-moving, postmodern action extravaganza slows itself down for a marquee moment of pure cinema. Retrieved from http://www.fandor.com/blog/scenes-beast-stalker?utm_medium=spotlight_articles&utm_source=fandor

Marcello, J. (2012). The viral factor movie review. Retrieved from http://www.moviexclusive.com/detail.php?c=118&desc=V&p=1571&t=the-viral-factor-dvd-2012_1571

Li Po Yan, Cathy (10522386/21048983)